Tuesday August 7
11.30-12.20 Registration, Arrheniuslaboratorierna: G-salen
| 12.30-13.00 Opening, Arrheniuslaboratorierna: G-salen
13.00-15.00 Plenary Session 1. Keynote lecture with panel. Arrheniuslaboratorierna: G-salen |
15.00-15.25 Coffee
15.25-17.25 Session 1 (intermission 16.20-16.30) Manne Siegbahnhusen /Humanistvillan
| Session 1:1 Auditoriet, chair: Eva Georgii-Hemming Steen Kaargaard Nielsen: Rediscovering early Danish Phonography – On listening to the Ruben Collection Anders Bonde: Betydningen af melodi-interval og rytme for lydlogoers brand-tilknytning Intermission - - Charlotte Rørdam Larsen: The polyphony of senses (I) |
| Session 1:2 MA 119, chair: Mattias Lundberg Maria Schildt (and Lars Berglund): Italian Music at the Royal Swedish Court of Queen Christina - Cultural Exchange in Early Modern Europe Ester Lebedinski: Interchange and Appropriation- Music Exchange in Seventeenth-Century Europe Intermission - - Marit Høye: Sequences of German Origin at Nidaros Lena Haselmann: ”O, hvor jeg vilde ønske at der i mit eget Land var Anledning til at faa dygtig Undervisning!” |
| Session 1:3 MA 101, chair: Cecilia Hultberg Niels Christian Hansen: Explaining Emotional Experience: Initial Baby Steps towards bridging the Gap between Music Theory and Cognitive Music Research Tuire Kuusi: Adjective Evaluations of Non-familiar Chords - Connections between Chord Characteristics, Adjectives and Emotions Intermission - - Piotr Podlipniak: The Evolutionary Origin of Gestural Meaning in Tonal Music Susanna Leijonhufvud: A Phenomenological Investigation of the Phenomenon of Singing |
| Session 1:4 Humanistvillans bibliotek, chair: Martin Knust Dagmara Łopatowska-Romsvik: Eivind Groven’s Symphonic slåtter in the Perspective of his Symphony no. 2 Carola Finkel: Swedish Folk Music in Kurt Atterberg’s Symphonies Intermission - - Axel Geertinger: Digital Thematic Catalogues. Two Concepts and their Perspectives Finn Egeland Hansen: New computerized Music Engraving System Wednesday August |
Wednesday August 8
09.00-09.30 Gathering
| 09.30-11.30 Plenary session 2. Keynote lecture with panel. Arrheniuslaboratorierna: G-salen Niels Krabbe: Contemporary Conditions for Scholarly Editions of Music Chair: Gunnar Ternhag, panel: Camilla Hambro, Peder Kaj Pedersen, Timo Virtanen |
11.30-12.50 Lunch Manne Siegbahnhusen/Humanistvillan
12.50-14.10 Session 2 Manne Siegbahnhusen/Humanistvillan
| Session 2:1 Auditoriet, chair: Camilla Hambro Panel: Women in Nordic Music Life, a Herstory |
| Session 2:2 MA 119, chair: Sakari Ylivuori Anna Pulkkis: The Allure of the North: Tonal Structure and Text in Sibelius’s “Norden” Kerri Kotta: Two Formal Strategies in the Works of Erkki-Sven Tüür Joakim Tillman: Mellan symfoni och symfonisk dikt- om form och genretillhörighet i Hugo Alfvéns fjärde symfoni |
| Session 2:3 MA 101, chair: Tobias Pontara Assi Karttunen (and Päivi Järviö): Rhetorical Actio in the Body of the Baroque Music Performer –Embodied Figures in a Recitative by Michel Pignolet de Montéclair Kate Maxwell (and James R. Simpson): Page, Performance and Play: Presence and Absence in Medieval Lyric Transmission and Reinterpretation Olle Edström: The Use of Adorno and Elias in the History of 18th Century Music |
14.10-14.20 Intermission
14.20-15.15 Session 3 Manne Siegbahnhusen/Humanistvillan
| Session 3:1, Auditoriet, chair: Kate Maxwell Jesper Juellund Jensen (and Signe Adrian): Playing Rules for Music-Making James Andean (Andrew Bentley, Visa Kuoppala, and Luis Alejandro Olarte): Projecting the Musical Future - Communication of Musical Intentions in Collective Electroacoustic Improvisation |
| Session 3:2, MA 119, chair: Olle Edström Eva Georgii-Hemming: Digital Music and Media Usage Kim Ramstedt: Recorded Music performed Live. Reggae Sound Systems as Intermediaries of Jamaican Dancehall Culture in Finland |
| Session 3:3 MA 101, chair: Jacob Derkert Anna-Karin Stockenstrand (and Owe Ander): Organisational Memory and Long-Term Organisational Learning – the Case of the Performing Arts Ursula Geisler: Det internationella forskningsnätverket ”Choir in Focus” |
15.15-15.40 Coffee
15.40-17.00 Session 4 Manne Siegbahnhusen/Humanistvillan
| Session 4:1 Auditoriet Panel, chair: Martin Knust Wagner in Reception |
| Session 4:2 MA 119, chair: Lars Lilliestam Åsa Bergman (and Monica Lindgren): Project El Sistema - Musical Learning, Identity and Power in an Intercultural Context Report from an on-going Research project Alf Arvidsson: The Conditions of Music-Making - between Cultural Policy, Economics, and Aesthetics Ulrik Volgsten: Music, Media and the Law: the Musical Work and the Establishing of an Idealistic Copyright |
| Session 4:3 MA 101, chair: Pirkko Moisala Ari Poutiainen: Position Playing Technique and Jazz Violin Improvisation Heidi Korhonen-Björkman (and Ritva Koistinen): Musikinstrumentets inverkan på gestaltningen av Debussys Flickan med linhåret. En dialog mellan en pianist och en kantelemusiker Arnulf Mattes: Just a Matter of Good Taste? Critical Remarks on the Performance Practice of the Cadenzas to Beethoven’s Violin Concerto, Op. 61 |
17.00 End
17.30 The Nydahl Collection, Optional
Thursday August 9
09.00-09.30 Gathering
| 09.30-11.30 Plenary Session 3, Arrheniuslaboratorierna: G-salen The Tobias Norlind Lecture 2012 and discussion Paul Théberge: Noisy: Toward a Political Economy of Music and New Media Chair: Jacob Derkert |
11.30 Lunch Manne Siegbahnhusen/Humanistvillan
12.50-14.10 Session 5 Manne Siegbahnhusen/Humanistvillan
| Session 5:1 Auditoriet, chair: Tobias Lund Øyvin Dybsand: Johan Halvorsen’s Rhapsody Air norvégien, “a Folk-tune Medley, … so well done that the Result is a Work of Art”? Jacqueline Ekgren: Implications of Accent Patterns in Norwegian Stev: Old Norse Hávamál to Hip Hop? Magnus Andersson: Rethinking Finn Mortensen’s ’Symfoni’ through Recordings |
| Session 5:2, MA 119, chair: Åsa Bergman Lars Lilliestam (and Thomas Bossius): Music in People’s Lives Victor Kvarnhall: Tjejer gillar inte vår musik- Om pojkar, digitaliserad musik och musikalisk mening Johannes Skjelbo: Music and Muslim Youth; Problems and Preliminary Results from Field Studies of the Use of Music among young Immigrants in Denmark |
| Session 5:3, MA 101 chair: Eva Öhrström Karin Hallgren: Musikteater vid 1800-talets mitt i ett nordiskt perspektiv- exemplet Edvard Stjernström Thomas Holme Hansen: Danish, Scandinavian and other Connections. The Correspondences of Knud Jeppesen (1892-1974) Kenneth Sparr: Den gitarrspelande sockerbagaren - Om Carl Johan Grafström och hans gitarrskola |
14.10-14.20 Intermission
14.20-15.15 Session 6 Manne Siegbahnhusen/Humanistvillan
| Session 6:1 Auditoriet, chair: Joakim Tillman Per Henning Olsson: Analyzing the Symphonies of Allan Pettersson Jim O’Leary: Jan Sandström’s Concerto for Trombone and Orchestra: Motorbikes, Postmodernism and Popular Success |
| Session 6:2 MA 119, chair: Kerri Kotta Mattias Lundberg: Methods for Analysis of Early Nineteenth-Century Experimental Counterpoint: The Cases of Reicha, Raimondi and Crotch Mart Humal: Harmonic Counterpoint and Melodic Line |
| Session 6:3 MA 101, chair: Jens Hesselager Peter Edwards: Tradition and the Endless Now- A Study of György Ligeti’s Le Grand macabre Marko Aho: Doing Music, enhancing Knowledge – Music Making as a Tool of Research |
15.15-15.40 Coffee
15.40-17.00 Session 7
| Session 7:1 Auditoriet, chair: Sten Kaargaard Nielsen Tobias Pontara: Bach at the Space Station: An Attempt to Mind the Gap in Andrei Tarkovsky's Solaris Louis Eulau: Ingmar Bergman’s Record Collection – Findings of Classical and Contemporary Music (in Swedish) Alexis Luko: Musical Repetition and Intertextuality in the Films of Ingmar Bergman |
| Session 7:2, MA 119, chair: Gunnar Bucht Mårten Nehrfors: E.T.A. Hoffmann’s Ideal of Song Finn Egeland Hansen: Gade and Nielsen in an international Perspective Bertil Wikman: ”Authenticity”, ”Werktreue” and the Musical Work |
| Sesssion 7:3, MA 101, chair: Ulrik Volgsten Florian Heesch: The Nordic „Arockalypse“- Musical Transformations of the Myth of Ragnarök in Heavy Metal Thorbjorg Daphne Hall: ‘Home is where the Heart is’: The Film Heima by SigurRós and Issues of Identity and Nationalism Kjetil Klette Bøhler: Rethinking the Politics of Music – The Case of Salsa Cubana in Cuba |
17.00 End
Evening:
Congress Dinner at Rosendal, Djurgården
(Reception with drinks from 18.00; we will sit down for dinner at 19.30)
Friday August 10
09.00-09.30 Gathering
| 09.30-11.30 Plenary session 4, Manne Siegbahnhusen/Humanistvillan: Auditoriet Keynote lecture with panel Sverker Jullander: ”From Ars Antiqua to Scientia Nova? Historical and contemporary Perspectives on Artistic Research in Music” Chair: Per Dahl, panel: Jens Hesselager, Arnulf Mattes, Anne Sivuoja |
11.30-12.30 Lunch Manne Siegbahnhusen/Humanistvillan
12.30 -13.50 Session 8 Manne Siegbahnhusen/Humanistvillan
| Session 8:1Auditoriet, chair: Anne Sivuoja Panel: Opera as Practiced during the Long 19th Century in Norden- Undoing the National Gaze |
| Session 8:2 MA 119, chair: Anna Pulkkis Peder Kaj Pedersen: Niels W. Gade, Violin Concerto op. 56: supplementary Comments to the Critical Edition Sakari Ylivuori: From Fair Copy to Sketch – Manuscript Study on Sibelius’s ’Tanke, se, hur fågeln svingar’ Timo Virtanen: A Jigsaw Puzzle Without a Picture-Jean Sibelius’s Late Sketches and the Eighth Symphony |
| Session 8:3 MA 101, chair: Ursula Geisler Anne Reese Willén: Professionella och dilettanter inom Stockholms offentliga musikliv under mitten av 1800-talet Ingrid Åkesson: Musik att höra eller musik att göra? Marion Lamberth: Konstmusik i kris – Var finns morgondagens lyssnare? |
14.10 Intermission
14.00- 14.55 Session 9 Manne Siegbahnhusen/Humanistvillan
| Session 9:1 Auditoriet, chair: --- Cecilia Ferm Thorgersen (Geir Johansen, and Marja-Leena Juntunen): Professors' Visions of Music Teacher Education |
| Session 9:2 MA 119, chair: Owe Ander Jens Henrik Koudal: Musik og konservativ kulturkamp. Christian Olsen som udgiver af dansemelodier fra Nordvestsjælland Tobias Lund: Adolf Wiklund’s Piano Concerto No.1 (1907-07) and the Rhetoric of National Crisis |
| Session 9:3 MA 101, chair: Gunnar Ternhag Rosi Djupsund: ”Hur härligt sången klingar” – en studie av sången på tre orter i Svenskfinland Lise K. Meling: “Stand by your Man”- performing the Ideal Woman in Country Music |
14.55-15.20 Coffee
15.20-16.40 Session 10
| Session 10:1 Auditoriet, chair: Frederik Pio Ontology, Music, Education - Heideggerian Inspirations |
16.40-17.00 Final words
17.00 End
Saturday August 11
13.15 Drottningholm - guided tour, Optional
16.00 Drottningholm - Orlando paladino, Optional
Keynote speakers
The keynote lectures of the XVI Nordic Musicological Congress represent a selection of fields of strategic importance in contemporary research in music. Each keynote lecture will be followed-up by a panel discussion.
Professor Pirkko Moisala, Professor Pirkko Moisala, Department of Philosophy, History, Culture and Art Studies, University of Helsinki, will discuss the ways that music research matters. Under the title (How) Does Music Research Matter?, the talk expands upon the rapidly growing field of applied ethnomusicology, which aims at the active engagement of the researcher in social and cultural processes, through discussing music research in general as a political act that should be ethically informed.
Moisala’s research work has spanned the fields of ethnomusicology, musicology and gender studies. Her book publications in English include Kaija Saariaho (University of Illinois Press, 2009), Cultural Cognition in Music, Continuity and Change in the Gurung Music of Nepal (Gummerus, 1991), co-authored Gender and Qualitative Methods (Sage Publications, 2003) and co-edited Music and Gender (University of Illinois Press, 2000).
Niels Krabbe, Research Professor and leader of the Danish Centre for Music Publication, The Royal Library, Denmark, lectures about contemporary conditions for scholarly editions of music, and issues concerning the roles and functions these editions might have today. Krabbe has been a leader of the Music Department (now Music- and Theatre department) at the Royal Library 1996-2009, and main editor or leader for several scholarly edition projects, e.g. the Carl Nielsen edition 1997-2009.
Under the title ”Noisy: Toward a Political Economy of Music and New Media,” Professor Paul Théberge, Carleton University, Canada, will lecture on technological mediation of music, and some of its current implications for research. Théberge is holder of a Canada Research Chair in Technological Mediations of Culture, and is involved in projects regarding music in global culture, as well as the impact of digital techniques on the music industry. Théberge is the author of Any Sound You can Imagine: Making Music, Consuming Technology, Wesleyan University Press 1997.
Sverker Jullander, Anna Hwass Professor of Musical Performance at the Department of Art, Communication and Education, Luleå University of Technology, Sweden. will give a lecture entitled Ars Antiqua to Scientia Nova? Historical and contemporary perspectives on artistic research in music. The lecture will deal with artistic research in music, both as part of the general development of research in the arts and as an emerging phenomenon in musical and academic life, providing historical backgrounds and discussing current developments. Until March 2012 he was also Director of Research Education at the Faculty of Fine, Applied and Performing Arts, University of Gothenburg. He graduated as a church musician from the Royal College of Music, Stockholm, and received his diploma as an organ soloist at the School of Music, University of Gothenburg.
